Life on the Road is not going to convert any Gervais-sceptics, but it is superior to most comedies you'll see in the cinema at the moment.
Neither hilarious or humourless, happy nor sad, Danish director Thomas Vinterberg's The Commune is one of those films that just has to be experienced.
Cardboard Gangsters has strong performances and a real sense of authenticity, but struggles to find something new to say about Ireland's gangland culture.
Review of Terrence Malick's The Tree of Life, which screened at the National Concert Hall with a live soundtrack provided by the RTÉ National Symphony Orchestra
In View and Gridlock have won awards at the Rhode Island International Film Festival, taking Best Screenplay and Best Short Film respectively.
Fire at Sea is a credit to the potential of documentary filmmaking, with acute sensitivity and seamless edits more reminiscent of fiction
The Secret Life of Pets is light in content, but bright and shiny in animation, and should entertain children and their parents for its running-length.
Dead Along The Way is a black comedy that zips along thanks largely to some wonderfully sharp writing and more than a little charm.
The Neon Demon is a warped, gorgeous spectacle that won't dramatically change minds about Nicolas Winding Refn - expect strong, divisive reactions.
The problem with Gods of Egypt, whitewashing and cultural insensitivity aside, is that it’s just so interminably boring, albeit visually a treat.