A fiendishly effective and tightly focused psychological horror, A Dark Song shows huge promise for first-time writer/director Liam Gavin.
With game performances and a deft directorial hand, Toni Erdmann is a testament to parental love and wisdom, and it's the funniest film of the year to boot.
Despite some laughs and the return of the original cast, T2 Trainspotting is too belated a follow-up to maintain the original film's energy or bite.
With Split, M. Night Shyamalan is back and in a big bad way. Phenomenal cinematography, haunting score, and brilliantly cast.
Christian Grey and Anastasia Steele are back in Fifty Shades Darker, a hot mess of a film rife with cliché ridden characters and a ropey script.
Loving is a wonderful film, filled with heartwarming performances and a touching narrative that sadly loses focus at times.
With Hacksaw Ridge, director Mel Gibson and star Andrew Garfield have delivered a real contender for best picture this Oscar season.
With a limp script, uneven performances and an unsure narrative, 20th Century Women has a lot of problems, but it has some merit too.
Denial is a fascinating look at the Holocaust. With great acting and a weighty subject matter, it is a remarkable but flawed film.
Led by a never-better Portman, Jackie skillfully and wittily examines the weight of legacy and duty through the viewpoint of one remarkable woman.