Kajaki is a worthy, gritty retelling of true events, and a fine feature debut for director Paul Katis.
Senn Penn tries to pull a Neeson with The Gunman, but lightning doesn't quite strike twice for Taken director Pierre Morel.
Unflinching and heartfelt, the humanitarian efforts of Christina Noble are put in perspective with In A House That Ceased To Be, one of the finest Irish documentaries this year.
All the elements are in place, but Cinderella is an old tale in a new dress and slippers, with little that's new or fresh.
Mommy is a skilled, stylish and often-heartbreaking depiction of the love of family through thick and thin.
Home will keep the little'uns engaged, but it's too familiar and safe to linger in the memory.
X+Y overcomes its TV drama trappings to reveal a sweet tale of adolescent struggles.