Perhaps more funny peculiar than funny ha-ha, Roy Andersson caps his existential comedy trilogy in his trademark style. Newcomers enter at their own risk.
The Salvation can't save itself from its rote characters and plotting, leaving Mads Mikkelsen to do the heavy lifting.
With verve and empathy, Girlhood delivers a compelling portrait of young womanhood disguised as a social commentary.
Highly reverential, yet admirably modern in its execution, Far From the Madding Crowd is a worthy, engaging breath of new life into Hardy’s iconic text.
The Avengers return in an exhilarating action spectacular that proves that keeping the band together is just not as much fun as getting them together.
Carol Morley's sophomore feature is a heady and eerie tale of burgeoning sexuality and the effects of institutionalization.
