Glassland is an emotionally-riveting example of modern Irish film, with outstanding performances and skillful direction bringing a tale of downtrodden souls to life.
A Little Chaos is so well pruned and trimmed that there's nothing to snag you or leave a mark. It's soufflé-light.
Whilst not punching entirely above its pay grade, The Duff is a smart and wry teen comedy, and a showcase for the talents of lead Mae Whitman.
Paul Walker's passing forces F&F7 to be a little more emotional, but otherwise this is another wild, nonsensical ride that won't win the franchise any converts.
The Salvation can't save itself from its rote characters and plotting, leaving Mads Mikkelsen to do the heavy lifting.
With revealing interviews, unprecedented access to all things Cobain and genuine interest in its tormented subject, Montage of Heck will leave fans and casual listeners alike in Nirvana.
The biting, if occassionally uneven, Force Majeure puts manliness under a microscope, and subjects it to an avalanche of scorn.
Child 44 captures the terror of the Stalinist era with a strong performance from Hardy, but lacks authenticity.
Lost River shows that Ryan Gosling's talents don't extend to screenwriting, with a limp story swamping keen actors and a cool look.
John Wick is brash, ballsy fun, with Keanu playing another avenger with a penchant for a black wardrobe.