Guest post by Tony McKibbin on Donal Foreman's The Image you Missed and the Theme of the Father and the Son.
In Cannes 2018, the sixth “Pierre Angénieux ExcelLens in Cinematography” tribute was accorded to Ed Lachman for a career spanning 45 years and comprising an eclectic mix of over 75 films and documentaries.
Our man in Cannes Séamas McSwiney reports from the first concerted attendance of Palestinian filmmakers under the mantle of The Palestine Film Institute at the 2018 Cannes Film Festival.
Generally speaking, this year’s list of Cannes Competition contenders —announced at an upbeat press conference by Festival Director Thierry Fremaux— is an inspiring smorgasbord of world cinema.
Element Pictures Distribution today release Ken Wardrop's heartwarming documentary Making the Grade on VOD and DVD. Win a copy now!
Our man in Cannes, Séamas McSwiney, reports on the closing of the festival and the presentation of the Palme d'Or and more.
Our Cannes reporter Séamas McSwiney attempts to find a thematic order to the disparity of films in Cannes, which often helps find a deeper purpose to their individual intentions. Three of the worthier films among the lacklustre selection could be called Cold War I, II & III.
To celebrate the release of The Equalizer 2 tomorrow, we are giving away limited-edition merchandise from the film, thanks to Sony Pictures Ireland.
The Un Certain Regard Jury really came up with the goods in awarding the top prize to Ali Abassi’s Gräns (Border) from Denmark-Sweden. Séamas McSwiney reports from the ceremony.
Séamas McSwiney reports from Cannes on the political activity at the film festival and from the Irish Film Board's party were they updated on their 50/50 gender parity initiatives.