JoinedAugust 26th, 2016
Articles174
It has style and fine performances, but Miles Ahead tries too hard to overcome its biopic limitations, with limited success
Though more familiar than it might care to admit, Midnight Special is a handsome and thoughtful throwback to Spielberg in his heyday.
Youth threatens to be stylishly lightweight, but fine performances and deft touches of emotion lend it a pleasant memorability.
Full of tension, Eye In The Sky is an intelligent and prescient thriller, and a fine swansong for the late Alan Rickman.
High-Rise has style to spare and is appropriately chaotic, but it lacks the smarts or grit that a Ballard adaptation deserves.
An adolescent mean streak ensures that the bloody, brash and oddly-conventional Deadpool is an equal-opportunities offender.
Louder Than Bombs is an elegant and emotionally rich examination of grief, with sublime direction and a screenplay of remarkable depth.
It's fine on its own terms, but Triple 9 is too indebted to formula and films past to stand out.
The storytelling's a little functional, but the story at the heart of Spotlight ensures you're rarely less than gripped.